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                  <text>Sarah Haven Foster Views of Portsmouth</text>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad.  They depict a wide array of buildings, landscapes, and wild flowers.  Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster.   She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
John Welsh Foster was a prominent member of the Portsmouth community.  He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank.  His businesses dealt with printing, book selling and bookbinding.  His success allowed his daughters the opportunity to make summer trips to Europe.  Sarah and her sister Mary lived in Europe from 1886-1890.  On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life.  Record of her public life is nearly non-existent.  She was a member of the Unitarian Church.  By all accounts she was shy and did not like public attention.  No known likenesses of Sarah have been found.  A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection.  As explained in this chapter, the Foster family was involved in many benevolent and community building activities.  It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad.  The day was warm and extra cars were running to and from the beach.  Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one".  She stepped out after waiting for a car to pass, but an extra car following hit her.  She had been heading home from the Lyman residence.  She died later that day of her sustained injuries.  She was 74 years old.  Foster is buried in Proprietors' cemetery.&#13;
&#13;
Views of Portsmouth&#13;
&#13;
In this album, Foster captures her fondness for the Portsmouth of old.  Her realistic and gentle paintings capture a slightly ideal view of Portsmouth.  These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”.  Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of.  It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing).  Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. &#13;
&#13;
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features.  After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. &#13;
	&#13;
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.&#13;
&#13;
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth.  In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public.  She and others created the library in the Custom house which opened January 1, 1881.  After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. &#13;
&#13;
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant.  Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.&#13;
&#13;
These images were digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Portsmouth Public Library</text>
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                  <text>Collection was digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Buildings, homes, scenery of Portsmouth and Surrounding communities.</text>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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                  <text>Collection was scanned, 2012/2013.</text>
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                  <text>Quality control, research, and metadata created, 2013.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.&#13;
&#13;
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                  <text>Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.</text>
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                  <text>Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.</text>
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                  <text>This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth</text>
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                  <text>--title::Sarah Haven Views of Portsmouth&#13;
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.&#13;
--images::874,865</text>
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              <text>Gift of Mary A. Foster, 1901</text>
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            <description>A name given to the resource</description>
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                <text>Queen's Chapel</text>
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                <text>A drawing of Queen's Chapel which stood where St. John's Episcopal Church is now located. Inscription reads, "Built 1732, burned 1806, from a print 1760."</text>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                <text>PPL-AA1989.60.15</text>
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                  <text>Sarah Haven Foster Wildflowers</text>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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                  <text>Scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin</text>
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                  <text>Omeka team, Nicole Luongo Cloutier and Robyn Nielsen, created the collection, 2014.</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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                  <text>This collection contains botanical style watercolors.  Plant types are included. </text>
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                  <text>Primarily North American Wildflowers.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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                <text>A watercolor painting of bittersweet, a member of the nightshade (Solanaceae) family. Inscription reads, "Solanum Dulcimara / Bittersweet."</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>A watercolor painting of columbine, also known as Canadian columbine, eastern red columbine, or wild columbine. Inscription reads, "Aquilegia Canadensis / Columbine."</text>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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              <description>The topic of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Creator</name>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>A watercolor painting of corydalis. Its scientific name is Capnoides sempervirens, a synonym of which is Corydalis glauca. Both stems and leaves of this plant are glaucous. Inscription reads, "Corydalis Glauca. / Glaucous Corydalis."</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <description>The topic of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19177">
                <text>StillImage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="19178">
                <text>PPL-AA1989.75.19</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37316">
                <text>Wildflowers</text>
              </elementText>
              <elementText elementTextId="37317">
                <text>Watercolors (paintings)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37318">
                <text>A watercolor painting of a green-flowered cymbidium. The scientific name is Cymbidium chloranthum, a synonym of which is Cymbidium pulchellum. Inscription reads, "Cymbidium / (Pulchellum)."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="37319">
                <text>Portsmouth Public Library, Special Collections</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37320">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37321">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="897">
        <name>20th century</name>
      </tag>
      <tag tagId="905">
        <name>Foster</name>
      </tag>
      <tag tagId="891">
        <name>watercolor</name>
      </tag>
      <tag tagId="920">
        <name>wildflower</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="936" public="1" featured="0">
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        <src>https://www.portsmouthexhibits.org/files/original/f40273f420318e90772a44eb4f52961e.jpg</src>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="18513">
                  <text>Sarah Haven Foster Wildflowers</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="18514">
                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="18515">
                  <text>Portsmouth Public Library</text>
                </elementText>
                <elementText elementTextId="19510">
                  <text>Scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin</text>
                </elementText>
                <elementText elementTextId="19511">
                  <text>Omeka team, Nicole Luongo Cloutier and Robyn Nielsen, created the collection, 2014.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19500">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="19501">
                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
                </elementText>
                <elementText elementTextId="19502">
                  <text>Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19503">
                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
                </elementText>
                <elementText elementTextId="19504">
                  <text>Collection was scanned, 2012/2013. </text>
                </elementText>
                <elementText elementTextId="19505">
                  <text>Quality control, research, and metadata created, 2013.</text>
                </elementText>
                <elementText elementTextId="19506">
                  <text>Digital Archive Created, 2014.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19507">
                  <text>Images used in the database are jpg files derived from archival .tif files. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19508">
                  <text>This collection contains botanical style watercolors.  Plant types are included. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19509">
                  <text>Primarily North American Wildflowers.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="19512">
                  <text>Portsmouth Public Library</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="17">
      <name>Watercolor</name>
      <description/>
      <elementContainer>
        <element elementId="105">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19170">
              <text>Gift of Mary A. Foster, 1901</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19160">
                <text>Cucumber root</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19161">
                <text>Foster, Sarah Haven (1827-1900)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="19162">
                <text>Sarah Haven Foster Wildflowers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19163">
                <text>Mid to late 19th century</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19165">
                <text>Jpg derived from Tif</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19166">
                <text>StillImage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="19167">
                <text>PPL-AA1989.75.20</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37322">
                <text>Wildflowers</text>
              </elementText>
              <elementText elementTextId="37323">
                <text>Watercolors (paintings)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37324">
                <text>A watercolor painting of cucumber root, also known as Indian cucumber-root. Inscription reads, "Cucumber root. / Medeola virginica."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="37325">
                <text>Portsmouth Public Library, Special Collections</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37326">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37327">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="897">
        <name>20th century</name>
      </tag>
      <tag tagId="905">
        <name>Foster</name>
      </tag>
      <tag tagId="891">
        <name>watercolor</name>
      </tag>
      <tag tagId="920">
        <name>wildflower</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
