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&#13;
The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. &#13;
Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. &#13;
&#13;
As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. &#13;
&#13;
The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization.&#13;
&#13;
Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. &#13;
&#13;
The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross.&#13;
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&#13;
The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. &#13;
Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. &#13;
&#13;
As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. &#13;
&#13;
The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization.&#13;
&#13;
Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. &#13;
&#13;
The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross.&#13;
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                  <text>Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016&#13;
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              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Folk art wood artifacts.</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history.</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust.&#13;
&#13;
The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. &#13;
Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. &#13;
&#13;
As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. &#13;
&#13;
The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization.&#13;
&#13;
Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. &#13;
&#13;
The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross.&#13;
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              <description>An entity primarily responsible for making the resource</description>
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--text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... &#13;
--images::1397,1529</text>
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      <name>Adams Collection</name>
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          <name>City Inventory #</name>
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          <name>Adams Collection #</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>An account of the resource</description>
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        <name>Edward Adams</name>
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        <name>Portsmouth</name>
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                  <text>The Dorothy Sturgis Harding Christmas Card Collection </text>
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                  <text>Harding, Dorothy Sturgis (1891-1978)</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>The Dorothy Sturgis Harding Christmas Card Collection</text>
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              <description>An entity responsible for making the resource available</description>
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                  <text>Donated by Joan Christy, 2018</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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                  <text>This collection of 19 original Christmas cards was created by artist and long-time Portsmouth resident Dorothy Sturgis Harding (1891-1978). These cards are part of a larger amalgamation of Harding memorabilia and were gifted to the Library by Portsmouth resident Joan Christy in January 2018. &#13;
&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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              <description>Put whatever you want in here.</description>
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                  <text>--title::Dorothy Sturgis Harding Christmas Card Collection&#13;
--text::This original collection of 19 historic, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by Joan Christy, Winter 2018. &#13;
--images:: 2085,2094</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                <text>An original, local Christmas card designed and inked by Dorothy Sturgis Harding. Features a postcard style with stamped back and addresses. Image depicts the front of the Martine Cottage and its "new door".  Personal, handwritten greeting at right. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                  <text>--title::Dorothy Sturgis Harding Christmas Card Collection&#13;
--text::This original collection of 19 historic, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by Joan Christy, Winter 2018. &#13;
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                <text>An original, local Christmas card designed and inked by Dorothy Sturgis Harding. Features densely decorated scene of Sagamore Creek with Biblical references and Martine Cottage in background. Inspired by Rodolphe Bresdin's "The Holy Family" (1885).</text>
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            <name>Identifier</name>
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                <text>PPL-AA2018.12</text>
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                <text>Bresdin, Rodolphe (1822-1885)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35858">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <name>Format</name>
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                  <text>Donated by Joan Christy, 2018</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31431">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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                  <text>This collection of 19 original Christmas cards was created by artist and long-time Portsmouth resident Dorothy Sturgis Harding (1891-1978). These cards are part of a larger amalgamation of Harding memorabilia and were gifted to the Library by Portsmouth resident Joan Christy in January 2018. &#13;
&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                  <text>--title::Dorothy Sturgis Harding Christmas Card Collection&#13;
--text::This original collection of 19 historic, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by Joan Christy, Winter 2018. &#13;
--images:: 2085,2094</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Be Through My Pencil to Awakened Earth"</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>1958</text>
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            <description>An account of the resource</description>
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                <text>An original, local Christmas card designed and inked by Dorothy Sturgis Harding. Features a landscape view of the Martine Cottage and grounds, flanked by personal symbols. An original poem below, followed by Christmas greeting. Flat card. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35847">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <name>Language</name>
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                  <text>Louis J. Mackles collected postcards depicting a variety of locations.  The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.</text>
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                  <text>These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards.  They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.</text>
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                  <text>Portsmouth and the Seacoast, NH.</text>
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                  <text>This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015.  It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment.  The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.&#13;
&#13;
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast.  Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.&#13;
&#13;
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893.  Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well.  Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.  &#13;
&#13;
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].&#13;
&#13;
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards.  The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.  &#13;
&#13;
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)&#13;
_______________________________________________________________________________________________&#13;
&#13;
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:&#13;
&#13;
‘…Maj. Mackles attended A&amp;M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves.  He was the recipient of the Purple Heart and the Bronze Star.  He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.&#13;
     Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.&#13;
     He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’&#13;
&#13;
_______________________________________________________________________________________________&#13;
&#13;
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:&#13;
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul&#13;
&#13;
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A &amp; M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England.  In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry.  Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.&#13;
&#13;
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.&#13;
&#13;
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.&#13;
&#13;
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.&#13;
&#13;
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all.  Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.&#13;
&#13;
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.&#13;
&#13;
__________________________________________________________________________________________&#13;
&#13;
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.  &#13;
Please see below for copyright information.  &#13;
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions.  603-766-1720.&#13;
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                <text>Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector.</text>
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                  <text>The Dorothy Sturgis Harding Christmas Card Collection </text>
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                  <text>The Dorothy Sturgis Harding Christmas Card Collection</text>
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                  <text>1947-1975</text>
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                  <text>Donated by Joan Christy, 2018</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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                  <text>This collection of 19 original Christmas cards was created by artist and long-time Portsmouth resident Dorothy Sturgis Harding (1891-1978). These cards are part of a larger amalgamation of Harding memorabilia and were gifted to the Library by Portsmouth resident Joan Christy in January 2018. &#13;
&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                  <text>--title::Dorothy Sturgis Harding Christmas Card Collection&#13;
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                <text>An original, local Christmas card designed and inked by Dorothy Sturgis Harding. Features the Beatitudes in list format. First letter of each is building block style text with red ink details with a small view of the Mount of Beatitudes in Israel at top. Personal note on interior with artist signature. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
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&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
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&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The scripts in this collection were originally owned by Theodore “Ted” Chipman Day, one of the original producers of “Eastbound Limited.” His son Mark C. Day gave them to Edward W. Maby, son of Ernest Maby, in 2008. Mr. Maby donated them to the library in November 2021. This collection is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.</text>
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                <text>"Eastbound Limited" cast and crew, Kittery, Maine, August 26, 1939</text>
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                <text>Photograph of the crew of "Eastbound Limited," taken August 26, 1939. Text on back reads, "Staff for radio program, WHEB, Portsmouth, N.H., 'Eastbound Limited,' Aug. 26, ?39, 7:30 P.M. ? Right to left: Ernest Maby, properties man; Ida Gerry, script girl; Charles Day, actor; Jacqueline Foster, speaker; Virginia Tirrell, actress; (Ted Day, master of ceremonies, took picture.)"</text>
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                <text>This photo was originally attached to page 8 of "Jewels of the Crystal Hills." Handwritten text on that script page reads, "Aug. 26, 1939 - cast Eastbound Limited - WHEB, Portsmouth. At Gray Lodge, Kittery, Maine - left to right - Ernest Maby (Properties - sound man) and Ida May Gerry (with script); guests Charlie Day (actor) and Jacqueline Foster (speaker); Virginia C. Tirrell, guest and writer of the skit, 'Jewels of the Crystal Hills." Photo by Day - camera: Eastman Hawkeye Instant and against sun."</text>
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                <text>Eastbound Limited Scripts Collection</text>
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                    <text>“EASTBOUND LIMITED” SCRIPTS
PPL-MS:
2021.5
Title: “Eastbound Limited” Scripts
Dates: Circa 1939
Extent: 1 box; 0.83 linear ft.
Repository: Portsmouth Public Library, Special Collections, Portsmouth, NH
Descriptive Summary
Provenance (including acquisitions information): The scripts in this collection were
originally owned by Theodore “Ted” Chipman Day, one of the original producers of
“Eastbound Limited.” His son Mark C. Day gave them to Edward W. Maby in 2008. Mr.
Maby donated them to the library in November 2021.
Scope and Content: This collection consists of nine scripts for the radio show
“Eastbound Limited,” which aired on WHEB circa 1939, as well as one original
photograph.
Language: English
Identification: PPL-MS: 2021.5
Subject Headings
Portsmouth (N.H.)
Radio scripts
Radio plays
New Hampshire
Biographical/Historical Note:
“Eastbound Limited” was a scripted, weekly radio drama that aired on WHEB, a station owned
by Granite State Broadcasting Corp. and operated out of Portsmouth, New Hampshire. Each
episode operated as a show-within-a-show. The program was guided by the conductor of the
Eastbound Limited, a train that traversed the tracks of New England, heavily favoring New
Hampshire. The conductor would introduce a stand-alone drama based on the location of the
train. The radio show had a cast and crew that included Ted Day, Ernest C. Maby (1919-2004),
Ida Gerry, Charles Day, Jacqueline Foster, and Virginia Tirrell.
Administrative Information
Processing Level: Processed, 2021; scanned and added to Omeka, 2022
Organization of Collection: Kept in original order as arranged by Edward Maby
Location: PPL – Special Collections Office
Access Restrictions: None; ask a librarian for access
Alternate Formats (optional): Digitized and available at
https://portsmouthexhibits.org/collections/show/27
Related Collections:
Preferred Citation: “Eastbound Limited” Scripts, Portsmouth Public Library, Special
Collections, Portsmouth, NH
Finding Aid Created by: CC, 2021

�Container Listing
Box 1
Folder 1
Photograph of the crew of “Eastbound Limited”, taken August 26, 1939. Text on back reads,
“Staff for radio program, WHEB, Portsmouth, N.H., “Eastbound Limited,” Aug. 26, ’39, 7:30
P.M. — Right to left: Ernest Maby, properties man; Ida Gerry, script girl; Charles Day, actor;
Jacqueline Foster, speaker; Virginia Tirrell, actress; (Ted Day, master of ceremonies, took
picture.)” Photo originally attached to page 8 of “Jewels of the Crystal Hills”; more information
about the photo on that page.
Newspaper clipping of the WHEB radio schedule for August 12 to 14
Folder 2
Script for “Jewels of the Crystal Hills,” written by Virginia Tirrell; pages I-IV, 7-8; photo in
folder 1 was previously attached to page 8

Folder 3
Script for “The Ghost of Lancaster”; pages A-E and a duplicate of page B

Folder 4
Script for “The Bridal of Pennacook”; pages 1-8

Folder 5
Script for “And Mightier Music”; pages 1-8

Folder 6
Script for “An American Dream”; pages 1-8

Folder 7
Script for “The Phantom Ship of Mount Desert”; pages 1-8 with duplicates of pages 1-4

Folder 8
Script for “Jack the Ripper”; pages 1-7
Rev. 8/04/2022

2

�Folder 9
Script for “The Legend of the Witch of Wenham”; pages 1-2

Folder 10
Script for “The Phantom Ship”; pages 1-6

Rev. 8/04/2022

3

�</text>
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                  <text>“Eastbound Limited” was a scripted, weekly radio drama that aired on WHEB, a station owned by Granite State Broadcasting Corp. and operated out of Portsmouth, New Hampshire. Each episode functioned as a show-within-a-show with the program guided by the conductor of the Eastbound Limited, a train that traversed the tracks of New England, heavily favoring New Hampshire. The conductor would introduce a stand-alone drama based on the location of the train. The radio show had a cast and crew that included Ted Day, Ernest C. Maby (1919-2004), Ida Gerry, Charles Day, Jacqueline Foster, and Virginia Tirrell.&#13;
&#13;
The scripts in this collection were originally owned by Theodore “Ted” Chipman Day, one of the original producers of “Eastbound Limited.” His son Mark C. Day gave them to Edward W. Maby, son of Ernest Maby, in 2008. Mr. Maby donated them to the library in November 2021. This collection is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.</text>
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              </elementText>
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                  <text>This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015.  It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment.  The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.&#13;
&#13;
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast.  Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.&#13;
&#13;
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893.  Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well.  Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.  &#13;
&#13;
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].&#13;
&#13;
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards.  The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.  &#13;
&#13;
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)&#13;
_______________________________________________________________________________________________&#13;
&#13;
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:&#13;
&#13;
‘…Maj. Mackles attended A&amp;M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves.  He was the recipient of the Purple Heart and the Bronze Star.  He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.&#13;
     Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.&#13;
     He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’&#13;
&#13;
_______________________________________________________________________________________________&#13;
&#13;
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:&#13;
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul&#13;
&#13;
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A &amp; M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England.  In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry.  Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.&#13;
&#13;
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.&#13;
&#13;
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.&#13;
&#13;
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.&#13;
&#13;
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all.  Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.&#13;
&#13;
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.&#13;
&#13;
__________________________________________________________________________________________&#13;
&#13;
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.  &#13;
Please see below for copyright information.  &#13;
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions.  603-766-1720.&#13;
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My Dear Niece,&#13;
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Sincerely,&#13;
R. Butler&#13;
&#13;
Mrs. Nora B. Libby&#13;
Sanford&#13;
Maine"</text>
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&#13;
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast.  Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.&#13;
&#13;
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&#13;
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].&#13;
&#13;
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards.  The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.  &#13;
&#13;
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)&#13;
_______________________________________________________________________________________________&#13;
&#13;
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:&#13;
&#13;
‘…Maj. Mackles attended A&amp;M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves.  He was the recipient of the Purple Heart and the Bronze Star.  He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.&#13;
     Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.&#13;
     He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’&#13;
&#13;
_______________________________________________________________________________________________&#13;
&#13;
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:&#13;
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul&#13;
&#13;
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A &amp; M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England.  In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry.  Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.&#13;
&#13;
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.&#13;
&#13;
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.&#13;
&#13;
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.&#13;
&#13;
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all.  Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.&#13;
&#13;
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.&#13;
&#13;
__________________________________________________________________________________________&#13;
&#13;
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.  &#13;
Please see below for copyright information.  &#13;
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions.  603-766-1720.&#13;
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--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015&#13;
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              <text>"If you are going away let us know"&#13;
Dear Sister,&#13;
Katie and I will be out Wed. to spend the day with you if it is warm. We shall drive if not we shall come on the 6.15 run.&#13;
lovingly, Nellie E.&#13;
&#13;
Mrs. Henry Spinney&#13;
South Elliot&#13;
ME&#13;
R.K.O."</text>
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                  <text>The Dorothy Sturgis Harding Christmas Card Collection </text>
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                  <text>Donated by Joan Christy, 2018</text>
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                  <text>This collection of 19 original Christmas cards was created by artist and long-time Portsmouth resident Dorothy Sturgis Harding (1891-1978). These cards are part of a larger amalgamation of Harding memorabilia and were gifted to the Library by Portsmouth resident Joan Christy in January 2018. &#13;
&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                  <text>--title::Dorothy Sturgis Harding Christmas Card Collection&#13;
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49724">
                  <text>Portsmouth, New Hampshire and Strawbery Banke Slide Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49725">
                  <text>Portsmouth (N.H.)</text>
                </elementText>
                <elementText elementTextId="49726">
                  <text>Strawbery Banke, Inc.</text>
                </elementText>
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                  <text>Slides (Photography)</text>
                </elementText>
                <elementText elementTextId="49728">
                  <text>Gardens</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="49729">
                  <text>English colonists established a settlement in Portsmouth in 1623 and called it “Strawbery Banke.” This area of Portsmouth, which came to be known as Puddle Dock, has cultural and historical importance to the city. In order to help tell the story of the area, Strawbery Banke Museum was developed in 1958, following urban renewal efforts that demolished much of Puddle Dock and the South End. Today, Strawbery Banke Museum sits on 10 acres of land and is home to 32 historic buildings. &lt;br /&gt;&lt;br /&gt;The 29 slides in this collection depict scenes from Portsmouth and Strawbery Banke Museum, including several historic houses and street views. They offer a unique view into the early years at Strawbery Banke Museum, prior to many of the houses' restoration efforts. &lt;br /&gt;&lt;br /&gt;To learn more about Strawbery Banke Museum, its historic houses, and local preservation efforts, visit &lt;a href="https://www.strawberybanke.org/" target="_blank" rel="noreferrer noopener"&gt;strawberybanke.org&lt;/a&gt; or visit Special Collections on the 2nd floor of the Portsmouth Public Library.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="49730">
                  <text>Portsmouth, New Hampshire and Strawbery Banke Slide Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="49731">
                  <text>Portsmouth Public Library, Special Collections</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49732">
                  <text>1930s-1960s</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49733">
                  <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49734">
                  <text>JPG derived from TIF</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49735">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="49736">
                  <text>StillImage</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="49737">
                  <text>PPL-P: 2014.1</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49387">
                <text>"Liberty green" at Strawbery Banke</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49388">
                <text>Strawbery Banke, Inc.</text>
              </elementText>
              <elementText elementTextId="49389">
                <text>Portsmouth (N.H.)</text>
              </elementText>
              <elementText elementTextId="49390">
                <text>Lawns</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49391">
                <text>A color photograph of a green lawn at Strawbery Banke Museum, Portsmouth.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="49392">
                <text>Portsmouth, New Hampshire and Strawbery Banke Slide Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="49393">
                <text>Portsmouth Public Library, Special Collections</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49394">
                <text>1960s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49395">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49396">
                <text>JPG derived from TIF</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49397">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49398">
                <text>StillImage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49399">
                <text>PPL-P: 2014.1.004</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="14">
        <name>Strawbery Banke</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
