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                  <text>The Higgins Family Photograph Collection</text>
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                  <text>Portsmouth (N.H.)</text>
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                  <text>Neighborhoods</text>
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                  <text>Streets</text>
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                  <text>Photographs</text>
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                  <text>The Higgins Family Photograph Collection consists of over 300 digital images primarily taken in the late 1800s through the first half of the 20th century. The images capture the everyday moments as well as the celebratory occasions of a family living in Portsmouth’s South End neighborhood.&lt;br /&gt;&lt;br /&gt;The original photographs come from the collection of Kathryn (Casey) Higgins (b. 1882). She is credited with the photography of much of the collection. The photos were provided to the library by the late J. Robert (Bob) Shouse, son of Elizabeth Higgins and V. Allen Shouse, and grandson of Kathryn.&lt;br /&gt;&lt;br /&gt;The Higgins family has lived in Portsmouth since the early 1900s when Dr. Martin Andrew Higgins (1883-1953) moved to Pleasant Street and began work as a physician and surgeon. Dr. Higgins was born in 1883 in Somersworth, New Hampshire to Andrew Higgins and Bridget Hanagan. He received his education at the University of Maryland Medical School. On July 12, 1913, Dr. Higgins married Kathryn Casey in Amesbury, Massachusetts, where Kathryn’s family lived. Her parents were Patrick Casey and Mary Burke, both immigrants from Northern Ireland. Kathryn and Dr. Higgins moved into 249 Pleasant Street in Portsmouth, a house that was built in 1900. It was here that they would raise their two daughters, Margaret “Peggy” (Higgins) Haid (1918-2012) and Elizabeth Martina “Betty” (Higgins) Shouse (1920-1997), and where Elizabeth and her husband Veazey Allen Shouse (1920-2002) would stay and raise their ten children. Both Peggy and Betty are the subjects of many of the photos. &lt;br /&gt;&lt;br /&gt;Also prominently featured in the photos is Delia “Dede” (Casey) Hassett (1868-1960), Kathryn’s sister. Delia was married to Joseph Martin Hassett (1869-1925), proprietor of Hassett’s Music and Art Shoppe located at 115 Congress Street. Joseph and Delia had three children – Ruth Hassett DeCourcy, Loretta Hassett Slawson, and John “Jack” Hassett, who can all be seen in several of the images. &lt;br /&gt;&lt;br /&gt;The digital images in this collection are for public viewing only. No use or reproduction is allowed. &lt;br /&gt;&lt;br /&gt;More images of the South End and the Puddledock neighborhoods can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/2" target="_blank" rel="noreferrer noopener"&gt;The Haven School Neighborhood Collection&lt;/a&gt;.</text>
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                  <text>Higgins, Kathryn (Casey) (b. 1882)</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>The Higgins Family Photograph Collection</text>
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                  <text>Portsmouth Public Library, Special Collections</text>
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                  <text>Late 19th century-mid 20th century</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Metadata creation and Omeka entry by P. Vassiliev, 2020-2021, and R. Nielsen, 2023.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>No use or reproduction allowed</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>eng</text>
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                  <text>PPL-P: 2012.1</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Ma's Room" at 249 Pleasant Street</text>
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                <text>Interior architecture</text>
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                <text>A black-and-white image of "Ma's Room" in the Higgins house at 249 Pleasant Street. Ma is Kathryn Higgins.</text>
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                <text>Higgins, Kathryn</text>
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                <text>The Higgins Family Photograph Collection</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No use or reproduction allowed</text>
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                <text>PPL-P: 2012.1.401</text>
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                  <text>The Adams Collection</text>
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                  <text>Hand carved folk art wildlife, boats, birds, etc., created by Captain Adams, Captain of the Gundalow.</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>The Adams Collection.  Property of the City of Portsmouth, Trustees of the Trust.  Cared for by the Portsmouth Public Library.</text>
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                  <text>Portsmouth Public Library, Special Collections.</text>
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                  <text>Collection inventoried and relocated by the City, and the Trustees of the Trust, to the Portsmouth Public Library, 2009&#13;
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                  <text>Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016&#13;
Digital Archive created Spring/Summer 2016</text>
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                  <text>Photographs and database creation, Jessica Ross.</text>
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                  <text>Omeka addition and metadata creation by Jessica Ross and Nicole Cloutier.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The physical Adams' Collection is located in the Portsmouth Public Library, cared for by the Special Collections staff.  </text>
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                  <text>Vertical Files contain historic information about Adams, the Gundalow, and the collection of carvings.</text>
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                  <text>The files for these items are .jpg derived from .tif archival files. Images have been post-edited for cropping and lighting deficiencies  only. </text>
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                  <text>Folk art wood artifacts.</text>
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                  <text>This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history.</text>
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                  <text>This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust.&#13;
&#13;
The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. &#13;
Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. &#13;
&#13;
As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. &#13;
&#13;
The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization.&#13;
&#13;
Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. &#13;
&#13;
The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross.&#13;
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          <name>City Inventory #</name>
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          <name>Adams Collection #</name>
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                <text>"Narcissus" Painting</text>
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                <text>Painting in glass frame</text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
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&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
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&#13;
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&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                  <text>This collection of 19 original Christmas cards was created by artist and long-time Portsmouth resident Dorothy Sturgis Harding (1891-1978). These cards are part of a larger amalgamation of Harding memorabilia and were gifted to the Library by Portsmouth resident Joan Christy in January 2018. &#13;
&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This collection of 19 original Christmas cards was created by artist and long-time Portsmouth resident Dorothy Sturgis Harding (1891-1978). These cards are part of a larger amalgamation of Harding memorabilia and were gifted to the Library by Portsmouth resident Joan Christy in January 2018. &#13;
&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                <text>The Sum of Us insert</text>
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                  <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Jpg derived from Tif</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>eng</text>
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                  <text>Italian</text>
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              <description>The nature or genre of the resource</description>
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                  <text>StillImage</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>PPL-AA: 2020.3-61</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Scanning, metadata, and Omeka entry by K. Czajkowski and P. Vassiliev, December 2020</text>
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          <name>Miscellaneous</name>
          <description/>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
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                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>1367 Watermelon and Plums, 1908</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lithography</text>
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                <text>Fruit</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A color print of Watermelon and Plums, number 1367, a lithograph by French artist Henri LeRoy (b. 1851).  </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pearson, Helen (1870-1949)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Helen Pearson Portfolio</text>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1908</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>LeRoy, Henri (b. 1851)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="39121">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Jpg derived from Tif</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-AA:2020.50</text>
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                    <text>��</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Textile Ribbon</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>1873 Commemorative Ribbon </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Portsmouth, NH 250th Anniversary Celebration </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>City of Portsmouth, NH</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Vertical Files, Portsmouth Public Library Special Collections</text>
              </elementText>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Portsmouth Public Library Special Collections</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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