16 21 3400 https://www.portsmouthexhibits.org/files/original/3e7efcdecb754803f20a4c59de9352ce.jpg 8762cb80c9eaf4a2621f1c74599f6275 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4/4_29_Ernone Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate for Déry Ernőné Subject The topic of the resource Bookplates Description An account of the resource A pictorial-style bookplate in brown ink on ivory paper, with an image of two birds and several flowers set in a hexagonal box with a scalloped border. To the left of the hexagon is a female figure dressed in a skirt with a floral design and holding a large flower, and to the right is a male figure dressed in pantaloons and a hat, also holding a large flower. Along the top of the hexagon is the text "Ex libris" with a floral motif between the words, and on the bottom edge is the name Déry Ernőné with a floral motif. Creator An entity primarily responsible for making the resource Dorogi Imre Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.308 Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris Pearson pictorial https://www.portsmouthexhibits.org/files/original/ee3bab73041eb88715345dfd7e4843f4.jpg 0838858a39015f1220b0d6c5705f784c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and 1/2"H x 3 and 1/4"W. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate for Herz Ilonka Subject The topic of the resource Bookplates Women in art Description An account of the resource A pictorial-style bookplate in black ink on ivory paper featuring a line drawing of a female figure with an open book. She is holing one hand to her throat with her head tilted sideways, and a bird is perched on the book. Arching over the figure's head is a bluebell, and there is an angular border surrounding the drawing, with the text "Ex libris" at the top, and the name Herz Ilonka beneath. Creator An entity primarily responsible for making the resource Dorogi Imre Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.307 Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris Pearson pictorial https://www.portsmouthexhibits.org/files/original/8dceed926917b28c4ec90454d8aca176.jpg 852514744c6568441a1eb2b773b1e3b7 https://www.portsmouthexhibits.org/files/original/f432eae21b8fceee66a858f1bc8ddafc.jpg 58d8f7d73ca0a2e3ffd95f1ece8066fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard Inscription Back Handwriting found on the back of each postcard "Purchased at Pic & Pay on 10 Aug. 1978" PPL Acc. # 2015.1-419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. John's Episcopal Church Subject The topic of the resource St. John's Episcopal Church, 100 Chapel St., Portsmouth, NH Creator An entity primarily responsible for making the resource Douglas Armsden, Kittery Point, Maine Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard, and with a single, private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 3, Portsmouth Religious Institutions #33-34 Chapel St. history local history Mackles Collection Portsmouth postcard St. John's St. John's Episcopal Church https://www.portsmouthexhibits.org/files/original/103b2def049df7789e756c107c032277.jpg 10f11178d47c072ef4baacdad3d8bdab https://www.portsmouthexhibits.org/files/original/85de9cddb445ed0dc94f406ff1a93f41.jpg 03b9ca0ef6433fdce4c21f47c0b8adf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard Inscription Back Handwriting found on the back of each postcard "Purchased at Pic & Pay on 10 Aug 1978" PPL Acc. # 2015.1-419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. John's Church Interior Subject The topic of the resource St. John's Episcopal Church, 100 Chapel St., Portsmouth, NH Creator An entity primarily responsible for making the resource Douglas Armsden, Kittery Point, Maine Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard, and with a single, private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 3, Portsmouth Religious Institutions #35-36 Chapel St. history local history Mackles Collection Portsmouth postcard St. John's St. John's Episcopal Church https://www.portsmouthexhibits.org/files/original/965c2d373e3d570026a63bd5af609266.jpg c56696f51116f7867d3420dc9278afa0 https://www.portsmouthexhibits.org/files/original/a74224fb00488d09bfdbfe56ec513559.jpg 8e6d5d19daca60bb69a69af44def0396 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard Inscription Back Handwriting found on the back of each postcard "Purchased at Wentworth Gardner House 8/25/84" PPL Acc. # 2015.1-419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wentworth-Gardner House Doorway Subject The topic of the resource 50 Mechanic St., Portsmouth, NH Creator An entity primarily responsible for making the resource Douglas Armsden, Kittery Point, ME Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard, and with a single private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 2, Portsmouth Doors #69-70 history local history Mackles Collection Mechanic St. Portsmouth postcard Wentworth-Gardner House https://www.portsmouthexhibits.org/files/original/e26b300de06efc7266b41a0484411949.jpg e63247d6cca4ec904489f42f28355fbd https://www.portsmouthexhibits.org/files/original/188cdc13abc78802dc223c10d7e63668.jpg 72427aed0721ef20867281d5f127f6f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard PPL Acc. # 2015.1-419 Inscription Back Handwriting found on the back of each postcard "Purchased 12/13/78 at Hoyt's" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Warner House Interior Subject The topic of the resource Warner House, 150 Daniel St., Portsmouth, NH Creator An entity primarily responsible for making the resource Douglas Armsden, Kittery Point, ME Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 2, Portsmouth Historic Houses #185-186 Daniel St. history Jonathon Warner local history Mackles Collection Macpheadris-Warner House New Hampshire Portsmouth postcard Warner House https://www.portsmouthexhibits.org/files/original/f25dacaa10f6d45aa63f6591bf31f3db.jpg 515bcaaa61117c3a70b8d6bc2c426f1d https://www.portsmouthexhibits.org/files/original/d833e426459d6059fdbd667e4bcc0e29.jpg 5c9d673b8ebcb6afa0a171cce00ce776 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard PPL Acc. # 2015.1-419 Inscription Back Handwriting found on the back of each postcard "Purchased 12/13/78 at Hoyt's" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Warner House Interior Subject The topic of the resource Warner House, 150 Daniel St., Portsmouth, NH Creator An entity primarily responsible for making the resource Douglas Armsden, Kittery Point, ME. Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 2, Portsmouth Historic Houses #189-190 Daniel St. history Jonathon Warner local history Mackles Collection Macpheadris-Warner House New Hampshire Portsmouth postcard Warner House https://www.portsmouthexhibits.org/files/original/1e7bb74c493ee343dce0fbb8c32fdb09.jpg dc44b282ebb64c8cc60fdca6a72c58d5 https://www.portsmouthexhibits.org/files/original/1a958aa73d4c4a11f83795d352de0cb9.jpg 2095d18992c567a544368deb46081360 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Henry Clay Barnabee Collection Subject The topic of the resource Henry Clay Barnabee Description An account of the resource Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917. According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time. The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. Source A related resource from which the described resource is derived The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library between 1907 and 1909. Collection arranged, 1995. Finding aid created, 2010. Collection partially indexed and scanned, 2014. Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015. Grant funds procured for the cleaning and re-housing of the collection, 2018. Digital collection created in OMEKA, 2019. Contributor An entity responsible for making contributions to the resource Collected by Henry Clay Barnabee and Clara George Barnabee. Arranged by Woodard D. Openo, 1995. Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017. Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing. Additional parts of the collection will be scanned and added to the digital archive at a later time. Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. Miscellaneous Miscellaneous Put whatever you want in here. --title::Henry Clay Barnabee Collection --text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. --images::2125,2120 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sunset on Lake Michigan Subject The topic of the resource Lake Michigan Description An account of the resource A colorized photographic postcard of a three-masted sailing ship on a lake with purple clouds and a setting sun. Text on the front reads "Sunset on Lake Michigan." A handwritten note on the front reads "Dear Uncle Henry &amp; Aunt Clara, It is so long since I heard from you, an such a very long time since I wrote, I know. I am still up to my ears in work, and unhappily the charm of the task is wearing off. I will write to you both soon. Meantime I hope you are in much better health and assure you of my constant affection. Alice." The postcard is addressed to Mr. &amp; Mrs. Henry C. Barnabee, 225 Riverside Drive, New York, N.Y. and is postmarked from Milwaukee, Wisconsin on September 23, 1905. Creator An entity primarily responsible for making the resource E.C. Kropp Source A related resource from which the described resource is derived Henry Clay Barnabee Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1905 Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. Format The file format, physical medium, or dimensions of the resource JPG derived from TIF Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1995.1.IX.105 https://www.portsmouthexhibits.org/files/original/75d077b3dcfb551739462e0d27352291.jpg 443edef11490fec577a4ad1cc892abc6 https://www.portsmouthexhibits.org/files/original/70dfc305c0b80c17ad41b22a2f81b343.jpg eec6566e8eefe3b62777cdf4ee82c4ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Henry Clay Barnabee Collection Subject The topic of the resource Henry Clay Barnabee Description An account of the resource Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917. According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time. The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. Source A related resource from which the described resource is derived The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library between 1907 and 1909. Collection arranged, 1995. Finding aid created, 2010. Collection partially indexed and scanned, 2014. Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015. Grant funds procured for the cleaning and re-housing of the collection, 2018. Digital collection created in OMEKA, 2019. Contributor An entity responsible for making contributions to the resource Collected by Henry Clay Barnabee and Clara George Barnabee. Arranged by Woodard D. Openo, 1995. Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017. Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing. Additional parts of the collection will be scanned and added to the digital archive at a later time. Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. Miscellaneous Miscellaneous Put whatever you want in here. --title::Henry Clay Barnabee Collection --text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. --images::2125,2120 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lake Front Water Tower, Milwaukee, Wisconsin Subject The topic of the resource Milwaukee (Wis.) Description An account of the resource A colorized photographic postcard of a stone tower surrounded by trees, which appears to be in a park. Text on the front reads "Lake Front Water Tower, Milwaukee." A handwritten note on the front reads "Birthday greetings on the 14th, love and heaps of good wishes for the season's work - Alice L. Webb" The postcard is addressed to Henry Clay Barnabee, Hotel Touraine, Boston, Mass with 225 Riverside Drive, New York, N.Y. crossed out, and is postmarked November 12, 1905 from Milwaukee, Wisconsin. Creator An entity primarily responsible for making the resource E.C. Kropp Source A related resource from which the described resource is derived Henry Clay Barnabee Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1905 Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. Format The file format, physical medium, or dimensions of the resource JPG derived from TIF Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1995.1.IX.143 https://www.portsmouthexhibits.org/files/original/715215fdc0a3e71e4fca44ba2145c609.jpg dc1c7710e9545dd0c224c573c651e820 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 2 and 1/2"H x 3 and 1/2"W. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate for Pratt Institute Free Library Subject The topic of the resource Bookplates Description An account of the resource A pictorial-style institutional bookplate in black ink on white paper, with a central image of an open book with bookmark and ribbons. On the book is the text "Et qvasi cvsores vitai lampada tradvnt," which translates loosely from Latin to "Like runners they bear on the lamp of life." Beneath is a banner with the library's name in simple script. Beneath the banner is the artist's signature and the date 1929 Creator An entity primarily responsible for making the resource E.H. New Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Dept. Date A point or period of time associated with an event in the lifecycle of the resource 1929 Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.225 Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. Language A language of the resource eng lat bookplate ex libris Pearson pictorial pratt https://www.portsmouthexhibits.org/files/original/d27a77020bcb8b1cf641a8ed151b512c.jpg 08b53f3d5a65ad9be53c6f589be5edec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and ½”H x 3 and ¾”W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate for Dover Public Library Subject The topic of the resource Bookplates Description An account of the resource A pictorial-style institutional bookplate in black ink on ivory paper, which is divided into two sections framed by a lined double border. The top portion features the municipal seal of the City of Dover and a banner that reads "Dover, New Hampshire, Settled 1623." The seal is flanked by leaves and two open books. The lower portion features a drawing of a log cabin, and the two sections are divided by the text "Dover Public Library." Beneath the cabin is a box with lines labeled "Accession" and "Shelf No." Creator An entity primarily responsible for making the resource E.R. Brown Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1915 Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.067 Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. Language A language of the resource eng bookplate Dover ex libris Pearson pictorial https://www.portsmouthexhibits.org/files/original/1261a957de9d151ce31d7c7bb5815224.jpg 750b52c6e710d8639722fb958202e455 https://www.portsmouthexhibits.org/files/original/5e310e3211b73349592b7babe52bb160.jpg 26332117bd734397c33e28b122cae4aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard PPL Acc. # 2015.1-419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interior, Moffatt-Ladd House Subject The topic of the resource Moffatt Ladd House, 154 Market St., Portsmouth, NH Creator An entity primarily responsible for making the resource Eastern Illustrating & Publishing Co., Belfast, Maine Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 2, Portsmouth Historic Houses #143-144 history Ladd local history Mackles Collection Market St. Moffat Moffatt-Ladd House Portsmouth postcard Whipple https://www.portsmouthexhibits.org/files/original/7b060fa90ec92d6cdd290cb9bc8863c5.jpg 193e47f0c5749be83320bca255e278b0 https://www.portsmouthexhibits.org/files/original/018c8d606f7a7c1e6db2d72fb39a2a70.jpg 2c83397adc34d886fedb7ea67c4ed3f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard Inscription Back Handwriting found on the back of each postcard "Purchased at Dunaway Store on 11/9/85" PPL Acc. # 2015.1-419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Paul Jones House Subject The topic of the resource John Paul Jones House Creator An entity primarily responsible for making the resource Eastern Illustrating & Publishing, for Downeast Enterprise, Inc., Camden, Maine. Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 2, Portsmouth Historic Houses #89-90 history John Paul Jones House local history Mackles Collection Middle St. Portsmouth Portsmouth Historical Society postcard https://www.portsmouthexhibits.org/files/original/34b31d83258ae8bf1614552202224973.jpg c01c9841451c7a8980970de36c57bd01 https://www.portsmouthexhibits.org/files/original/c8dfcf67114ff14812465407efdb2c66.jpg 83af9c97e198ecc14e1a91ac675531e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard Inscription Back Handwriting found on the back of each postcard "Purchased 6 Jan 1973 at Winebaum's" PPL Acc. # 2015.1-419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rooftop view of Portsmouth Subject The topic of the resource Portsmouth, NH Creator An entity primarily responsible for making the resource Eastern Illustrating Co., New London, NH Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection are housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 1, Portsmouth City and Street Views #85-86 history local history Mackles Collection New Hampshire Portsmouth postcard rooftop https://www.portsmouthexhibits.org/files/original/21a58a3df8ba00c5d6a13e6c13fff66c.jpg e2c5557c1fe9f1023f493d6be7598855 https://www.portsmouthexhibits.org/files/original/a023a43687985775194072016a5763e3.jpg 322d8b339d3004153e4b8607fd347805 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard Inscription Back Handwriting found on the back of each postcard "Purchased at Sherman's on 6 March 1976" PPL Acc. # 2015.1-419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liberty Park Subject The topic of the resource Liberty Park, Portsmouth, NH Creator An entity primarily responsible for making the resource Eastern Illustrating Co., New London, NH Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackless Collection are housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and by a single private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 1, Portsmouth City and Street Views #123-124 history Liberty Park local history Mackles Collection Portsmouth postcard Prescott Park https://www.portsmouthexhibits.org/files/original/a5bcf5f9770149af3d7d3a2b5a7dbad9.jpg 72af17ad6930ddb934bc47f8427cac97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and ½”H x 3”W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate for Louis Jonathan Bailey Subject The topic of the resource Bookplates Description An account of the resource A pictorial-style bookplate in black ink on ivory paper featuring a detailed portrait of Thomas Hardy, whose name is written in cursive across the bottom of his bust. A simple border design with two wheat ears surrounds the portrait, and a box beneath reads "Ex libris Louis Jonathan Bailey." Handwritten on the back of the bookplate is, “U.S. Werhuer, Edmund; 1940; Jamaica, NY; Louis J. Bailey plate. For Hardy books. Portrait of Thomas hardy from photo of Wm. Strang’s etching. Autograph from one of Mr. Bailey’s books.” Creator An entity primarily responsible for making the resource Edmund Werhuer, Jamaica, NY Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Date A point or period of time associated with an event in the lifecycle of the resource 1940 Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.011 Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. Language A language of the resource eng Bailey bookplate ex libris Pearson pictorial https://www.portsmouthexhibits.org/files/original/618b0288233f736f695b3228457056e8.jpg 0f916d949018e64dd28fd981af3cfd73 https://www.portsmouthexhibits.org/files/original/971356dc24bc65dacdca5e892f0f9793.jpg 6e842e8b6ec9e29704988a90b43f1566 https://www.portsmouthexhibits.org/files/original/da6e3746ff8ca428890acc1837f46d46.jpg f35fbef9998cabcea848c65f39b3a2f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Adams Collection Subject The topic of the resource Hand carved folk art wildlife, boats, birds, etc., created by Captain Adams, Captain of the Gundalow. Source A related resource from which the described resource is derived The Adams Collection. Property of the City of Portsmouth, Trustees of the Trust. Cared for by the Portsmouth Public Library. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections. Date A point or period of time associated with an event in the lifecycle of the resource Collection inventoried and relocated by the City, and the Trustees of the Trust, to the Portsmouth Public Library, 2009 Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016 Digital Archive created Spring/Summer 2016 Contributor An entity responsible for making contributions to the resource Photographs and database creation, Jessica Ross. Omeka addition and metadata creation by Jessica Ross and Nicole Cloutier. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The physical Adams' Collection is located in the Portsmouth Public Library, cared for by the Special Collections staff. Vertical Files contain historic information about Adams, the Gundalow, and the collection of carvings. Format The file format, physical medium, or dimensions of the resource The files for these items are .jpg derived from .tif archival files. Images have been post-edited for cropping and lighting deficiencies only. Type The nature or genre of the resource Folk art wood artifacts. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history. Description An account of the resource This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust. The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization. Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross. Creator An entity primarily responsible for making the resource Edward H. Adams Miscellaneous Miscellaneous Put whatever you want in here. --title::The Adams Collection --text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... --images::1397,1529 Adams Collection City Inventory # This will be the record # found in the Goodman Report (database held at library) 390 Adams Collection # This is the original number found on each object Box 11, 0070FA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flying Half-Flat Canada Goose Creator An entity primarily responsible for making the resource Edward H. Adams Source A related resource from which the described resource is derived The Adams Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource JPEG derived from TIFF Type The nature or genre of the resource Three dimensional wood artifact. Description An account of the resource Folk art wood carving Relation A related resource City of Portsmouth Trustees of the Trust Identifier An unambiguous reference to the resource within a given context 18"L x 9"H Adams Collection Captain Adams carved Edward Adams goose Portsmouth wood https://www.portsmouthexhibits.org/files/original/3d66ede72b53d6e1940fe32763efab4e.jpg 442db4f8e2ffe391d946579ee6b9a879 https://www.portsmouthexhibits.org/files/original/b510cdc39d9112e23d1776ba719849e0.tif 497a8b8ff179933690c8ace77e217ce7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Adams Collection Subject The topic of the resource Hand carved folk art wildlife, boats, birds, etc., created by Captain Adams, Captain of the Gundalow. Source A related resource from which the described resource is derived The Adams Collection. Property of the City of Portsmouth, Trustees of the Trust. Cared for by the Portsmouth Public Library. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections. Date A point or period of time associated with an event in the lifecycle of the resource Collection inventoried and relocated by the City, and the Trustees of the Trust, to the Portsmouth Public Library, 2009 Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016 Digital Archive created Spring/Summer 2016 Contributor An entity responsible for making contributions to the resource Photographs and database creation, Jessica Ross. Omeka addition and metadata creation by Jessica Ross and Nicole Cloutier. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The physical Adams' Collection is located in the Portsmouth Public Library, cared for by the Special Collections staff. Vertical Files contain historic information about Adams, the Gundalow, and the collection of carvings. Format The file format, physical medium, or dimensions of the resource The files for these items are .jpg derived from .tif archival files. Images have been post-edited for cropping and lighting deficiencies only. Type The nature or genre of the resource Folk art wood artifacts. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history. Description An account of the resource This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust. The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization. Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross. Creator An entity primarily responsible for making the resource Edward H. Adams Miscellaneous Miscellaneous Put whatever you want in here. --title::The Adams Collection --text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... --images::1397,1529 Adams Collection City Inventory # This will be the record # found in the Goodman Report (database held at library) 358 Adams Collection # This is the original number found on each object Box 7, 0052FA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Small Canada Goose Creator An entity primarily responsible for making the resource Edward H. Adams Source A related resource from which the described resource is derived The Adams Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource JPEG derived from TIFF Type The nature or genre of the resource Three dimensional wood artifact. Description An account of the resource Folk art wood carving Relation A related resource City of Portsmouth Trustees of the Trust Identifier An unambiguous reference to the resource within a given context 9"L x 2.5"H Adams Collection Captain Adams carved Edward Adams goose Portsmouth wood https://www.portsmouthexhibits.org/files/original/b5d970fa06732364e3a351773a32f5e8.jpg a7e4bc989c0e756cb0c7d313520ff2d4 https://www.portsmouthexhibits.org/files/original/035d56d533750e17f7e5f923ec3eb837.jpg dc657b47473700a8f5ffa75920589b7f https://www.portsmouthexhibits.org/files/original/49db8e74385b9bfa605722264b4465bb.jpg 563c301c1a47de48500c5d042966a49d https://www.portsmouthexhibits.org/files/original/672dafb98a9d32d0764cfb1fd765d27d.jpg 20eb96c82cad08ef384de8a79c73417b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Adams Collection Subject The topic of the resource Hand carved folk art wildlife, boats, birds, etc., created by Captain Adams, Captain of the Gundalow. Source A related resource from which the described resource is derived The Adams Collection. Property of the City of Portsmouth, Trustees of the Trust. Cared for by the Portsmouth Public Library. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections. Date A point or period of time associated with an event in the lifecycle of the resource Collection inventoried and relocated by the City, and the Trustees of the Trust, to the Portsmouth Public Library, 2009 Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016 Digital Archive created Spring/Summer 2016 Contributor An entity responsible for making contributions to the resource Photographs and database creation, Jessica Ross. Omeka addition and metadata creation by Jessica Ross and Nicole Cloutier. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The physical Adams' Collection is located in the Portsmouth Public Library, cared for by the Special Collections staff. Vertical Files contain historic information about Adams, the Gundalow, and the collection of carvings. Format The file format, physical medium, or dimensions of the resource The files for these items are .jpg derived from .tif archival files. Images have been post-edited for cropping and lighting deficiencies only. Type The nature or genre of the resource Folk art wood artifacts. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history. Description An account of the resource This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust. The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization. Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross. Creator An entity primarily responsible for making the resource Edward H. Adams Miscellaneous Miscellaneous Put whatever you want in here. --title::The Adams Collection --text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... --images::1397,1529 Adams Collection City Inventory # This will be the record # found in the Goodman Report (database held at library) 484 Adams Collection # This is the original number found on each object Box 11, 0089FA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Long-Necked Canada Goose Creator An entity primarily responsible for making the resource Edward H. Adams Source A related resource from which the described resource is derived The Adams Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource JPEG derived from TIFF Type The nature or genre of the resource Three dimensional wood artifact Description An account of the resource Folk art wood carving Relation A related resource City of Portsmouth Trustees of the Trust Identifier An unambiguous reference to the resource within a given context 7.5"H x 11.75"L x 3.25"W Adams Collection Captain Adams carved Edward Adams goose Portsmouth wood https://www.portsmouthexhibits.org/files/original/6ad85f4459f1859e28c4bd0374317fd4.jpg f633b077f0fefb7d9404caef07d93f7d https://www.portsmouthexhibits.org/files/original/340fe982079399165f66110ac367963f.jpg 152ff251423fba001c75b70990eb7ff6 https://www.portsmouthexhibits.org/files/original/adf3edb2d38219a23a63ff51323d5a9d.jpg 0d22f07978b4650e95f355cba4867f1e https://www.portsmouthexhibits.org/files/original/b4213808b7dc6cb31bf068f654177afa.jpg 6651c74d07c7eb83dd958dfaa109d142 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Adams Collection Subject The topic of the resource Hand carved folk art wildlife, boats, birds, etc., created by Captain Adams, Captain of the Gundalow. Source A related resource from which the described resource is derived The Adams Collection. Property of the City of Portsmouth, Trustees of the Trust. Cared for by the Portsmouth Public Library. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections. Date A point or period of time associated with an event in the lifecycle of the resource Collection inventoried and relocated by the City, and the Trustees of the Trust, to the Portsmouth Public Library, 2009 Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016 Digital Archive created Spring/Summer 2016 Contributor An entity responsible for making contributions to the resource Photographs and database creation, Jessica Ross. Omeka addition and metadata creation by Jessica Ross and Nicole Cloutier. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The physical Adams' Collection is located in the Portsmouth Public Library, cared for by the Special Collections staff. Vertical Files contain historic information about Adams, the Gundalow, and the collection of carvings. Format The file format, physical medium, or dimensions of the resource The files for these items are .jpg derived from .tif archival files. Images have been post-edited for cropping and lighting deficiencies only. Type The nature or genre of the resource Folk art wood artifacts. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history. Description An account of the resource This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust. The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization. Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross. Creator An entity primarily responsible for making the resource Edward H. Adams Miscellaneous Miscellaneous Put whatever you want in here. --title::The Adams Collection --text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... --images::1397,1529 Adams Collection City Inventory # This will be the record # found in the Goodman Report (database held at library) 387 Adams Collection # This is the original number found on each object Box 11, 0084FA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flying Half-Flat Canada Goose Creator An entity primarily responsible for making the resource Edward H. Adams Source A related resource from which the described resource is derived The Adams Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource JPEG derived from TIFF Type The nature or genre of the resource Three dimensional wood artifact Description An account of the resource Folk art wood carving Relation A related resource City of Portsmouth Trustees of the Trust Identifier An unambiguous reference to the resource within a given context 20"L x 6"H Adams Collection Captain Adams carved Edward Adams goose Portsmouth wood https://www.portsmouthexhibits.org/files/original/bcfa6a189da9b4266f67fe712c73529c.jpg e2a27f0aefc6df58a9bbaa517de61046 https://www.portsmouthexhibits.org/files/original/fca6256c65a8d52e17d1bce1a2984413.jpg 96629ac005cffa924ef7d89d57d6ed27 https://www.portsmouthexhibits.org/files/original/f1056b725c7540e08e9f06feff64cbff.jpg 6d9305eddd6f9eb9c3068d8afff0cbd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Adams Collection Subject The topic of the resource Hand carved folk art wildlife, boats, birds, etc., created by Captain Adams, Captain of the Gundalow. Source A related resource from which the described resource is derived The Adams Collection. Property of the City of Portsmouth, Trustees of the Trust. Cared for by the Portsmouth Public Library. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections. Date A point or period of time associated with an event in the lifecycle of the resource Collection inventoried and relocated by the City, and the Trustees of the Trust, to the Portsmouth Public Library, 2009 Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016 Digital Archive created Spring/Summer 2016 Contributor An entity responsible for making contributions to the resource Photographs and database creation, Jessica Ross. Omeka addition and metadata creation by Jessica Ross and Nicole Cloutier. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The physical Adams' Collection is located in the Portsmouth Public Library, cared for by the Special Collections staff. Vertical Files contain historic information about Adams, the Gundalow, and the collection of carvings. Format The file format, physical medium, or dimensions of the resource The files for these items are .jpg derived from .tif archival files. Images have been post-edited for cropping and lighting deficiencies only. Type The nature or genre of the resource Folk art wood artifacts. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history. Description An account of the resource This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust. The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization. Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross. Creator An entity primarily responsible for making the resource Edward H. Adams Miscellaneous Miscellaneous Put whatever you want in here. --title::The Adams Collection --text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... --images::1397,1529 Adams Collection City Inventory # This will be the record # found in the Goodman Report (database held at library) 485 Adams Collection # This is the original number found on each object Box 11, 0105FA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Turned Head Canada Goose Creator An entity primarily responsible for making the resource Edward H. Adams Source A related resource from which the described resource is derived The Adams Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource JPEG derived from TIFF Type The nature or genre of the resource Three dimensional wood artifact Description An account of the resource Folk art wood carving Relation A related resource City of Portsmouth Trustees of the Trust Identifier An unambiguous reference to the resource within a given context 7"L x 3"W Adams Collection Captain Adams carved Edward Adams goose Portsmouth wood