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                  <text>The Higgins Family Photograph Collection consists of over 300 digital images primarily taken in the late 1800s through the first half of the 20th century. The images capture the everyday moments as well as the celebratory occasions of a family living in Portsmouth’s South End neighborhood.&lt;br /&gt;&lt;br /&gt;The original photographs come from the collection of Kathryn (Casey) Higgins (b. 1882). She is credited with the photography of much of the collection. The photos were provided to the library by the late J. Robert (Bob) Shouse, son of Elizabeth Higgins and V. Allen Shouse, and grandson of Kathryn.&lt;br /&gt;&lt;br /&gt;The Higgins family has lived in Portsmouth since the early 1900s when Dr. Martin Andrew Higgins (1883-1953) moved to Pleasant Street and began work as a physician and surgeon. Dr. Higgins was born in 1883 in Somersworth, New Hampshire to Andrew Higgins and Bridget Hanagan. He received his education at the University of Maryland Medical School. On July 12, 1913, Dr. Higgins married Kathryn Casey in Amesbury, Massachusetts, where Kathryn’s family lived. Her parents were Patrick Casey and Mary Burke, both immigrants from Northern Ireland. Kathryn and Dr. Higgins moved into 249 Pleasant Street in Portsmouth, a house that was built in 1900. It was here that they would raise their two daughters, Margaret “Peggy” (Higgins) Haid (1918-2012) and Elizabeth Martina “Betty” (Higgins) Shouse (1920-1997), and where Elizabeth and her husband Veazey Allen Shouse (1920-2002) would stay and raise their ten children. Both Peggy and Betty are the subjects of many of the photos. &lt;br /&gt;&lt;br /&gt;Also prominently featured in the photos is Delia “Dede” (Casey) Hassett (1868-1960), Kathryn’s sister. Delia was married to Joseph Martin Hassett (1869-1925), proprietor of Hassett’s Music and Art Shoppe located at 115 Congress Street. Joseph and Delia had three children – Ruth Hassett DeCourcy, Loretta Hassett Slawson, and John “Jack” Hassett, who can all be seen in several of the images. &lt;br /&gt;&lt;br /&gt;The digital images in this collection are for public viewing only. No use or reproduction is allowed. &lt;br /&gt;&lt;br /&gt;More images of the South End and the Puddledock neighborhoods can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/2" target="_blank" rel="noreferrer noopener"&gt;The Haven School Neighborhood Collection&lt;/a&gt;.</text>
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                  <text>Higgins, Kathryn (Casey) (b. 1882)</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                <elementText elementTextId="39309">
                  <text>The Higgins Family Photograph Collection</text>
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              <description>An entity responsible for making the resource available</description>
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                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Late 19th century-mid 20th century</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Metadata creation and Omeka entry by P. Vassiliev, 2020-2021, and R. Nielsen, 2023.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39313">
                  <text>No use or reproduction allowed</text>
                </elementText>
              </elementTextContainer>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
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                  <text>JPG</text>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39315">
                  <text>eng</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
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                  <text>StillImage</text>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>PPL-P: 2012.1</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bedroom of 249 Pleasant Street</text>
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            <description>The topic of the resource</description>
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                <text>Interior architecture</text>
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                <text>Portsmouth (N.H.)</text>
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                <text>black-and-white photography</text>
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            <description>An account of the resource</description>
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                <text>A black-and-white image of a bedroom at the Higgins house at 249 Pleasant Street.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Higgins, Kathryn</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Higgins Family Photograph Collection</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77072">
                <text>No use or reproduction allowed</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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            <name>Identifier</name>
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                <text>PPL-P: 2012.1.403</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Women Singing OUT! Recordings</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="67932">
                  <text>Women's choirs</text>
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                <elementText elementTextId="67933">
                  <text>LGBTQ+ musicians</text>
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                <elementText elementTextId="67934">
                  <text>Portsmouth (N.H.)</text>
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                  <text>Choral music</text>
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              <description>An account of the resource</description>
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                  <text>Women Singing OUT! formed in 1999 as a lesbian-based choir focused on social change. They promoted tolerance, diversity, peace, and hope. WSO performed a wide range of musical styles and held biannual concerts in winter and late spring. Led by artistic directors Claudia Frost and later Dr. Deirdre McClure, they practiced weekly at Christ Episcopal Church in Portsmouth. WSO disbanded in 2017.&lt;br /&gt;&lt;br /&gt;There are eight albums represented in this collection: &lt;em&gt;The Beauty Around Us&lt;/em&gt; (2002), &lt;em&gt;We Are Family&lt;/em&gt; (2005), &lt;em&gt;Kaleidoscope: Sight &amp;amp; Sound&lt;/em&gt; (2007), &lt;em&gt;Celebrate...With Friends!!&lt;/em&gt; (2008), &lt;em&gt;Peace &amp;amp; Love&lt;/em&gt; (2008), &lt;em&gt;The Sum of Us Sing!&lt;/em&gt; (2009), &lt;em&gt;Beyond Tolerance&lt;/em&gt; (2010), and &lt;em&gt;Natural Woman&lt;/em&gt; (2011).&lt;br /&gt;&lt;br /&gt;This collection of recordings is part of the NH Seacoast LGBT History Project Archive which is on deposit at the Portsmouth Public Library. Materials in this collection were digitized by intern Kate Persson in 2022. Metadata creation by Special Collections staff, 2023.&lt;br /&gt;&lt;br /&gt;To see videos from the NH Seacoast LGBT History Project Archive, visit &lt;a href="https://portsmouthexhibits.org/collections/show/25" target="_blank" rel="noreferrer noopener"&gt;portsmouthexhibits.org/collections/show/25&lt;/a&gt;. To see recordings from the Seacoast NH LGBTQ+ Oral History Project, which was created by Dr. Holly Cashman in collaboration with UNH, the NH Seacoast LGBT History Project, and the Portsmouth Public Library, visit &lt;a href="https://portsmouthexhibits.org/collections/show/32" target="_blank" rel="noreferrer noopener"&gt;portsmouthexhibits.org/collections/show/32&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Any questions about this collection can be directed to the &lt;a href="https://www.portsmouthnh.gov/library/local-history-genealogy#contact" target="_blank" rel="noreferrer noopener"&gt;Special Collections Librarian&lt;/a&gt; at the Portsmouth Public Library or to the &lt;a href="https://www.facebook.com/Portsnh/" target="_blank" rel="noreferrer noopener"&gt;Seacoast NH LGBT History Project&lt;/a&gt;.</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Women Singing OUT!</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="67939">
                  <text>Seacoast NH LGBT History Project Archive</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="67940">
                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2002-2011</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="67942">
                  <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="67943">
                  <text>mp3</text>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>eng</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Sound</text>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Women's choirs</text>
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                <text>LGBTQ+ musicians</text>
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                <text>Portsmouth (N.H.)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>A live concert recording of "Bein' Green" from the album &lt;em&gt;Natural Woman&lt;/em&gt;. Conducted by Claudia Frost with piano accompaniment from Kimberley Karchenes. Recording by Philip Davis. The soloist is Ellen Gagnon.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Women Singing OUT!</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Seacoast NH LGBT History Project Archive</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Raposo, Joe, 1937-1989</text>
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                <text>Frost, C.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="66394">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="66395">
                <text>mp3</text>
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                <text>02:50 minutes</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="66397">
                <text>eng</text>
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            <name>Type</name>
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                <text>Natural Woman Track 7</text>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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                <name>Bit Depth</name>
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              <name>Title</name>
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              <description>An account of the resource</description>
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                  <text>Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums.&#13;
&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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                  <text>Sherman and Cathy Pridham, scanned and provided factual information for each image.</text>
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                  <text>Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only.  Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction.</text>
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                  <text>Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works.  Puddle Dock reunion video</text>
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                  <text>Primarily the content of this collection is photographic in nature.  The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. </text>
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                  <text>South End of Portsmouth, Puddle Dock Neighborhood, Haven School Alumni, late 19th Century-mid 20th Century.</text>
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                  <text>--title::Haven School Neighborhood Project&#13;
--text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed.&#13;
--images::687,582</text>
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                <text>A black and white image of Ben Small and Bob Grogan sitting on the front of a car.</text>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Haven Foster Views of Portsmouth</text>
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              <description>An account of the resource</description>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad.  They depict a wide array of buildings, landscapes, and wild flowers.  Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster.   She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
John Welsh Foster was a prominent member of the Portsmouth community.  He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank.  His businesses dealt with printing, book selling and bookbinding.  His success allowed his daughters the opportunity to make summer trips to Europe.  Sarah and her sister Mary lived in Europe from 1886-1890.  On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life.  Record of her public life is nearly non-existent.  She was a member of the Unitarian Church.  By all accounts she was shy and did not like public attention.  No known likenesses of Sarah have been found.  A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection.  As explained in this chapter, the Foster family was involved in many benevolent and community building activities.  It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad.  The day was warm and extra cars were running to and from the beach.  Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one".  She stepped out after waiting for a car to pass, but an extra car following hit her.  She had been heading home from the Lyman residence.  She died later that day of her sustained injuries.  She was 74 years old.  Foster is buried in Proprietors' cemetery.&#13;
&#13;
Views of Portsmouth&#13;
&#13;
In this album, Foster captures her fondness for the Portsmouth of old.  Her realistic and gentle paintings capture a slightly ideal view of Portsmouth.  These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”.  Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of.  It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing).  Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. &#13;
&#13;
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features.  After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. &#13;
	&#13;
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.&#13;
&#13;
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth.  In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public.  She and others created the library in the Custom house which opened January 1, 1881.  After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. &#13;
&#13;
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant.  Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.&#13;
&#13;
These images were digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Portsmouth Public Library</text>
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                  <text>Collection was digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Omeka Team, Nicole Cloutier, Robyn Nielsen</text>
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                  <text>Buildings, homes, scenery of Portsmouth and Surrounding communities.</text>
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                  <text>Watercolor coll</text>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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                  <text>Collection was scanned, 2012/2013.</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.&#13;
&#13;
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                  <text>This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth</text>
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                  <text>--title::Sarah Haven Views of Portsmouth&#13;
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.&#13;
--images::874,865</text>
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                <text>"One of the best known and most visited of the historical places in our neighborhood. The house was built in 1750, by Gov. Benning Wentworth, who resided her until his death in 1770. He was appointed Governor of New Hampshire in 1741, at the time of the final separation of this state from Massachusetts, and his rather stormy administration continued until 1766, when he was succeeded by his nephew, John Wentworth. In 1755, being left a widower, he married his housemaid, Martha Hilton, the heroine of Longfellow’s poem of 'Lady Wentworth.' At his death, he left the estate to her, and she soon afterward married Col. Michael Wentworth, and English officer, not related to her first husband. Col. Wentworth had seen good service in Europe, having been engaged in 1745 at the battle of Culloden, under the Duke of Cumberland, and at the battle of Fontenoy in France, in 1746. &#13;
&#13;
"During Washington’s visit to Portsmouth in 1789, Col. Wentworth, entertained him at his residence. In 1800 John Wentworth, a grandson of Mark Hunking, married the Colonel’s daughter Martha, and resided here until they went to Europe in 1816. &#13;
&#13;
"The estate was then purchased by Charles Cushing, who married a daughter of Jacob Sheafe, and it remained in his family until 1885. The house originally contained 52 rooms, but their number has been somewhat reduced. The cellarage is very extensive, and was arranged for the stabling of 30 horses in time of danger. The whole establishment has been preserved as far as possible has been preserved as far as possible in its ancient form, and the surroundings are most picturesque." &#13;
&#13;
Excerpted from The Portsmouth Guide Book, 1896, by Sarah Haven Foster. &#13;
&#13;
Inscription reads, "Wentworth House."&#13;
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad.  They depict a wide array of buildings, landscapes, and wild flowers.  Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster.   She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
John Welsh Foster was a prominent member of the Portsmouth community.  He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank.  His businesses dealt with printing, book selling and bookbinding.  His success allowed his daughters the opportunity to make summer trips to Europe.  Sarah and her sister Mary lived in Europe from 1886-1890.  On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life.  Record of her public life is nearly non-existent.  She was a member of the Unitarian Church.  By all accounts she was shy and did not like public attention.  No known likenesses of Sarah have been found.  A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection.  As explained in this chapter, the Foster family was involved in many benevolent and community building activities.  It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad.  The day was warm and extra cars were running to and from the beach.  Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one".  She stepped out after waiting for a car to pass, but an extra car following hit her.  She had been heading home from the Lyman residence.  She died later that day of her sustained injuries.  She was 74 years old.  Foster is buried in Proprietors' cemetery.&#13;
&#13;
Views of Portsmouth&#13;
&#13;
In this album, Foster captures her fondness for the Portsmouth of old.  Her realistic and gentle paintings capture a slightly ideal view of Portsmouth.  These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”.  Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of.  It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing).  Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. &#13;
&#13;
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features.  After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. &#13;
	&#13;
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.&#13;
&#13;
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth.  In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public.  She and others created the library in the Custom house which opened January 1, 1881.  After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. &#13;
&#13;
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant.  Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.&#13;
&#13;
These images were digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.&#13;
&#13;
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                  <text>This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth</text>
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                <text>"One of the best known and most visited of the historical places in our neighborhood. The house was built in 1750, by Gov. Benning Wentworth, who resided her until his death in 1770. He was appointed Governor of New Hampshire in 1741, at the time of the final separation of this state from Massachusetts, and his rather stormy administration continued until 1766, when he was succeeded by his nephew, John Wentworth. In 1755, being left a widower, he married his housemaid, Martha Hilton, the heroine of Longfellow’s poem of 'Lady Wentworth.' At his death, he left the estate to her, and she soon afterward married Col. Michael Wentworth, and English officer, not related to her first husband. Col. Wentworth had seen good service in Europe, having been engaged in 1745 at the battle of Culloden, under the Duke of Cumberland, and at the battle of Fontenoy in France, in 1746. &#13;
&#13;
"During Washington’s visit to Portsmouth in 1789, Col. Wentworth, entertained him at his residence. In 1800 John Wentworth, a grandson of Mark Hunking, married the Colonel’s daughter Martha, and resided here until they went to Europe in 1816. &#13;
&#13;
"The estate was then purchased by Charles Cushing, who married a daughter of Jacob Sheafe, and it remained in his family until 1885. The house originally contained 52 rooms, but their number has been somewhat reduced. The cellarage is very extensive, and was arranged for the stabling of 30 horses in time of danger. The whole establishment has been preserved as far as possible has been preserved as far as possible in its ancient form, and the surroundings are most picturesque." &#13;
&#13;
Excerpted from The Portsmouth Guide Book, 1896, by Sarah Haven Foster. &#13;
&#13;
Inscription reads, "Gov. Wentworth House - Little Harbor, 1750."&#13;
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                  <text>Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums.&#13;
&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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--text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed.&#13;
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <elementTextContainer>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              <description>A related resource</description>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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          <name>Miscellaneous</name>
          <description/>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Best Wishes</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A folded Christmas card with a color illustration of a gray kitten in a glove embossed on the front cover, with the text "Best Wishes" in red. Text on the inside of the card reads "All Good Wishes for a happy Christmas. Once more at happy Yule-tide, Accept my greeting true, May joys the best and dearest Crown this bright day for you! - E.A. Lempriere Knight" A handwritten note on the inside reads "To my dear Mrs. Barnabee; With loving Christmas Greetings and best wishes for a bright and 'Happy New Year,' from Anna Augusta Smyth, 1905."</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Henry Clay Barnabee Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="61468">
                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1905</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61470">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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            <name>Format</name>
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                <text>JPG derived from TIF</text>
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            <description>A language of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-MS: 1995.1.IX.059</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Women Singing OUT! Recordings</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Women's choirs</text>
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                  <text>LGBTQ+ musicians</text>
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                  <text>Portsmouth (N.H.)</text>
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                  <text>Choral music</text>
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              <description>An account of the resource</description>
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                  <text>Women Singing OUT! formed in 1999 as a lesbian-based choir focused on social change. They promoted tolerance, diversity, peace, and hope. WSO performed a wide range of musical styles and held biannual concerts in winter and late spring. Led by artistic directors Claudia Frost and later Dr. Deirdre McClure, they practiced weekly at Christ Episcopal Church in Portsmouth. WSO disbanded in 2017.&lt;br /&gt;&lt;br /&gt;There are eight albums represented in this collection: &lt;em&gt;The Beauty Around Us&lt;/em&gt; (2002), &lt;em&gt;We Are Family&lt;/em&gt; (2005), &lt;em&gt;Kaleidoscope: Sight &amp;amp; Sound&lt;/em&gt; (2007), &lt;em&gt;Celebrate...With Friends!!&lt;/em&gt; (2008), &lt;em&gt;Peace &amp;amp; Love&lt;/em&gt; (2008), &lt;em&gt;The Sum of Us Sing!&lt;/em&gt; (2009), &lt;em&gt;Beyond Tolerance&lt;/em&gt; (2010), and &lt;em&gt;Natural Woman&lt;/em&gt; (2011).&lt;br /&gt;&lt;br /&gt;This collection of recordings is part of the NH Seacoast LGBT History Project Archive which is on deposit at the Portsmouth Public Library. Materials in this collection were digitized by intern Kate Persson in 2022. Metadata creation by Special Collections staff, 2023.&lt;br /&gt;&lt;br /&gt;To see videos from the NH Seacoast LGBT History Project Archive, visit &lt;a href="https://portsmouthexhibits.org/collections/show/25" target="_blank" rel="noreferrer noopener"&gt;portsmouthexhibits.org/collections/show/25&lt;/a&gt;. To see recordings from the Seacoast NH LGBTQ+ Oral History Project, which was created by Dr. Holly Cashman in collaboration with UNH, the NH Seacoast LGBT History Project, and the Portsmouth Public Library, visit &lt;a href="https://portsmouthexhibits.org/collections/show/32" target="_blank" rel="noreferrer noopener"&gt;portsmouthexhibits.org/collections/show/32&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Any questions about this collection can be directed to the &lt;a href="https://www.portsmouthnh.gov/library/local-history-genealogy#contact" target="_blank" rel="noreferrer noopener"&gt;Special Collections Librarian&lt;/a&gt; at the Portsmouth Public Library or to the &lt;a href="https://www.facebook.com/Portsnh/" target="_blank" rel="noreferrer noopener"&gt;Seacoast NH LGBT History Project&lt;/a&gt;.</text>
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                  <text>Seacoast NH LGBT History Project Archive</text>
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              <name>Publisher</name>
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              <elementTextContainer>
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                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="67942">
                  <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
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            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Portsmouth (N.H.)</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>A live recording of "Betty Botter" from the album &lt;em&gt;We Are Family&lt;/em&gt;. Recorded at Christ Episcopal Church, Portsmouth, NH, by Granite Rocks Productions. Conducted by Sonja Dahlgren Pryor with accompaniment by Kimberley Karchenes.</text>
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                <text>Women Singing OUT!</text>
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            <elementTextContainer>
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                <text>Seacoast NH LGBT History Project Archive</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2005-02-12</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="67747">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>00:42 minutes</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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            <name>Type</name>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="67752">
                <text>We Are Family Track 6</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="39302">
                  <text>The Higgins Family Photograph Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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              <description>An account of the resource</description>
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                <text>1920</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No use or reproduction allowed</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Type</name>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-P: 2012.1.205</text>
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        <src>https://www.portsmouthexhibits.org/files/original/0d18897ebaa3ebfe8a3a75c9f4d4a301.jpg</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>The Higgins Family Photograph Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Portsmouth (N.H.)</text>
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                  <text>Neighborhoods</text>
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                  <text>Streets</text>
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                  <text>Photographs</text>
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              <name>Description</name>
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                  <text>The Higgins Family Photograph Collection consists of over 300 digital images primarily taken in the late 1800s through the first half of the 20th century. The images capture the everyday moments as well as the celebratory occasions of a family living in Portsmouth’s South End neighborhood.&lt;br /&gt;&lt;br /&gt;The original photographs come from the collection of Kathryn (Casey) Higgins (b. 1882). She is credited with the photography of much of the collection. The photos were provided to the library by the late J. Robert (Bob) Shouse, son of Elizabeth Higgins and V. Allen Shouse, and grandson of Kathryn.&lt;br /&gt;&lt;br /&gt;The Higgins family has lived in Portsmouth since the early 1900s when Dr. Martin Andrew Higgins (1883-1953) moved to Pleasant Street and began work as a physician and surgeon. Dr. Higgins was born in 1883 in Somersworth, New Hampshire to Andrew Higgins and Bridget Hanagan. He received his education at the University of Maryland Medical School. On July 12, 1913, Dr. Higgins married Kathryn Casey in Amesbury, Massachusetts, where Kathryn’s family lived. Her parents were Patrick Casey and Mary Burke, both immigrants from Northern Ireland. Kathryn and Dr. Higgins moved into 249 Pleasant Street in Portsmouth, a house that was built in 1900. It was here that they would raise their two daughters, Margaret “Peggy” (Higgins) Haid (1918-2012) and Elizabeth Martina “Betty” (Higgins) Shouse (1920-1997), and where Elizabeth and her husband Veazey Allen Shouse (1920-2002) would stay and raise their ten children. Both Peggy and Betty are the subjects of many of the photos. &lt;br /&gt;&lt;br /&gt;Also prominently featured in the photos is Delia “Dede” (Casey) Hassett (1868-1960), Kathryn’s sister. Delia was married to Joseph Martin Hassett (1869-1925), proprietor of Hassett’s Music and Art Shoppe located at 115 Congress Street. Joseph and Delia had three children – Ruth Hassett DeCourcy, Loretta Hassett Slawson, and John “Jack” Hassett, who can all be seen in several of the images. &lt;br /&gt;&lt;br /&gt;The digital images in this collection are for public viewing only. No use or reproduction is allowed. &lt;br /&gt;&lt;br /&gt;More images of the South End and the Puddledock neighborhoods can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/2" target="_blank" rel="noreferrer noopener"&gt;The Haven School Neighborhood Collection&lt;/a&gt;.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Higgins, Kathryn (Casey) (b. 1882)</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>The Higgins Family Photograph Collection</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Late 19th century-mid 20th century</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Metadata creation and Omeka entry by P. Vassiliev, 2020-2021, and R. Nielsen, 2023.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="39313">
                  <text>No use or reproduction allowed</text>
                </elementText>
              </elementTextContainer>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>JPG</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>eng</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>StillImage</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>PPL-P: 2012.1</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Betty Churchill on Pleasant Street, 1912</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Children</text>
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                <text>Portsmouth (N.H.)</text>
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                <text>Black-and-white photographs</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A black-and-white photograph of Betty Churchill as a child, standing on Pleasant Street outside of Martin Andrew "Doc" Higgins' office.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Higgins, Kathryn</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Higgins Family Photograph Collection</text>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1912</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No use or reproduction allowed</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-P: 2012.1.050</text>
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